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06:40

Tunes To 'Work Hard, Play Hard, Pray Hard' To

Critic Milo Miles says that in this new collection of music from between the world wars, "the currents of long-ago lives come through: the drudgery of the work that demanded the release of the party, which then required the penance of prayer."

Review
07:47

Ken Tucker's Top 10 Albums Of 2012

From the inescapable "Call Me Maybe" to Fiona Apple's intricate word puzzles to the strikingly gorgeous return of Iris DeMent, the Fresh Air critic counts down hiss favorite albums and musical moments of the year.

Review
49:17

'Guilt Trip': Streisand On Songs, Film And Family

In her new movie, singer, actor, writer, director and producer Barbra Streisand plays a well-meaning if overbearing Jewish mom in The Guilt Trip. The star says her own mother both encouraged her talents and was jealous of them.

Entertainer Barbara Streisand
06:48

Behind The Scenes Of The Beatles' 'Magical Mystery Tour'

A new documentary on PBS about the making of the Beatles' 1967 film Magical Mystery Tour features outtakes from the original and new interviews with Paul McCartney and Ringo Starr. TV critic David Bianculli call the film "wonderfully thorough."

Review
12:28

Ravi Shankar: Remembering A Master Of The Sitar

In a 1999 interview, Ravi Shankar, who died Tuesday, talked to Fresh Air about hippies, psychedelic drugs, "Norwegian Wood," George Harrison, his fond memories of the Monterey Pop Festival of 1967 and his less-fond memories of Woodstock.

Famed sitar player Ravi Shankar sits on a bed with his sitar
07:01

Ke$ha: A 'Warrior' In Search Of Legitimacy

On her new album, the pop star tries to show she's not just in the business for the money. As critic Ken tucker says, "Like pop stars ranging from Madonna to Chuck Berry, Ke$ha wants it both ways: mass-audience access and artistic acknowledgement."

Review
07:16

Bass Note: Mingus And The Jazz Workshop Concerts

Critic Kevin Whitehead reviews a new, seven-disc Charles Mingus box set chronicling the jazz legend's mid-'60s live performances. The records, Whitehead says, "can be a little raw, as if the explosive music caught the engineers by surprise."

Review
51:31

Lemony Snicket Dons A Trenchcoat

In Who Could That Be at This Hour?, a prequel to A Series of Unfortunate Events, Daniel Handler satirizes pulp mysteries and uncovers the parallels between detective fiction and childhood. In both, he says, an outsider is trying to make his way in a mysteriously corrupt world.

Interview
05:42

Tracey Thorn: 'Secular Carols' For The Holidays.

Thorn has recorded a holiday album, Tinsel and Lights, that critic Ken Tucker says might just work for warmer weather, as well. Tucker praises Thorn's voice as "bolstered by a firm intelligence," and says she avoids the fatty treacle that often weighs down Christmas albums.

Review
07:53

Turning Up The Volume On The Electric Blues.

A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed Ward says Plug It In! Turn It Up! does "a great job of illuminating one particular aspect of the blues."

Review
06:52

'Buddy And Jim': Friends In Life And Songwriting.

Buddy Miller and Jim Lauderdale just released a new album of duets. Critic Ken Tucker says Buddy and Jim recalls an earlier era of country music. The pair's voices, Tucker says, connect through "shared emotion in a song."

Review
06:10

Cecilia Bartoli's New 'Mission' Unearths Baroque Gems.

Critic Lloyd Schwartz welcomes the opera star's new album, Mission, which breathes new life into the work of Italian composer Agostino Steffani. Bartoli, he says, has an astonishing capacity for vocal fireworks and warm, delicate lyricism.

Review
09:06

The Mythic Power Of Bessie Smith.

"The Empress of the Blues" gave voice the listeners' tribulations and yearnings of the 1920s and '30s. A new 10-CD box set collects the complete works of the colossus who straddled jazz and blues.

Review
08:35

The Insect Trust: An American Band Deconstructed.

One of the great fantasies of the hippie era was that new combinations of music would emerge from the experimentation that was going on. Still, very few lived it. Ed Ward says The Insect Trust was one of the exceptions.

Commentary

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