Yannick Nezet-Seguin (yah-NEEK nay-ZAY say-GHEN), conductor of the Philadelphia Orchestra and the Metropolitan Opera, shares the music he listens to when he is not on the podium that inspires him. The playlist he made for us includes pop, hip hop, and classical music.
Justin Chang says the captivating new drama, "The Disciple," is one of the best movies he's seen this year. The film won the best screenplay prize at last year's Venice International Film Festival. It tells the story of a young man from Mumbai who aspires to be a great classical Indian singer.
Concert halls and music venues around the world have been shuttered due to the outbreak of the COVID-19 pandemic, but before closing its doors, the Philadelphia Orchestra gave one last performance on March 12 — to an empty concert hall. Conductor Yannick Nézet-Séguin describes the experience of playing in a vacant hall and hearing silence at the end of each piece. And we listen to a 2019 interview with Yannick.
Counter tenor Anthony Ross Costanzo sings in what's considered a woman's range - in the range of the castrati, men who maintained their high voices by being castrated before puberty. He's about to star in the Philip Glass opera 'Akhenaten.'
Ever since he was a little boy, Yannick Nézet-Séguin knew he wanted to be a conductor. He likens the feeling to something "almost like a religious call." "Making music in the group is what animates me," he says.
Now 44, Nézet-Séguin is the music director of New York's Metropolitan Opera and the Philadelphia Orchestra, two of America's most storied musical institutions.