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07:46

The Moving Sidewalks: Where The British Invasion Met Texas Blues.

Before he became the guitarist for ZZ Top, Billy Gibbons was in a band called the Moving Sidewalks that just missed its shot at stardom. The album the Moving Sidewalks never released in the late 1960s was released in late 2012 and is very much a period piece, albeit a very well-made one.

Commentary
44:05

Adrian Younge: Looking Back To Move Hip-Hop Forward.

Spaghetti Westerns, Philadelphia soul, opera and the Wu-Tang Clan all come together in the music of Adrian Younge. He has produced and composed two new albums — one with William Hart, the lead singer of The Delfonics, and another with rapper Ghostface Killah.

Interview
07:26

Tegan And Sara Reach Out To New Audiences With 'Heartthrob.'

The twin sisters from Canada depart from their indie singer-songwriter roots with their latest album. The music on Heartthrob is often loaded with a carefully articulated sense of doubt that Tegan and Sara suggest needs to be shaken off through a triumph of the pop-music will.

Review
07:31

David Bowie Awakens To 'The Next Day' Of His Career.

The icon's new album plays like a collection of discreet singles, with each performed in a different style, genre and mood. In this way, the album isn't a return to form, in part because David Bowie never took one form to begin with.

Review
06:06

Ashley Monroe Is 'Like A Rose,' Briars And All.

Recruiting the likes of Guy Clark and Vince Gill, the country singer and member of The Pistol Annies works within a tradition that extends back well beyond her twentysomething years. Monroe avoids the pitfalls of cliche, with sentiments on her new album that are nothing if not nicely ambivalent.

Review
08:31

Aretha Franklin Before Atlantic: The Columbia Years

Franklin found her voice in songs such as "I Never Loved a Man" for Atlantic Records in the 1960s. Before Atlantic, however, Franklin recorded for Columbia, and in those early recordings you can hear the legend just beginning to emerge.

Commentary
05:50

Guards: Anthems With Gravitas

The debut album from the New York trio Guards is big on atmospherics, but also features a grandness of intent that connects the group to acts as varied as U2, Arcade Fire and The Beach Boys

Review
06:20

Richard Thompson's New Album Examines 'Electric' Love

The singer-songwriter often writes songs about his complex relationships with women. On his new Electric, Thompson is still coming to terms with the sources of his frustrations which out to give him material for many years to come.

Review
44:42

Anat Cohen: Bringing The Clarinet To The World

On her latest album, Claroscuro, the jazz clarinetist explores influences that range from Louis Armstrong to Brazilian music to that of her native Israel. It's the desire to adapt the instrument to so many musical traditions that has earned Cohen such acclaim.

Interview
06:56

Yo La Tengo: Decades In And Far From Fading

The indie-rock favorite's new album, Fade, demonstrates that the group is all grown up but not at all study. The album's music and words add up to our affirmation of life and living.

Review
06:46

Paloma Faith's 'Fall To Grace' Is A Keeper.

A British singer with classic R&B and pop influences, Faith draws comparisons to Amy Winehouse and Adele. If she keeps doing what she's doing, she's going to have lots of fans following her every musical and social cue.

Review
50:26

'Quartet': Dustin Hoffman, Behind The Camera.

The veteran actor recently made his directorial debut with a film about four aging opera singers who stage a concert at their retirement home. Starring Maggie Smith and Tom Courtenay, the film explores friendship, memory and the time that remains.

Actor Dustin Hoffman
07:31

'Nashville' Soundtrack Stands On Its Own.

A new album of original songs from the Golden Globe-nominated TV series about Music City reflects the tastes of the show's musical producer, T-Bone Burnett, as well as the vocal talents of stars Connie Britton and Hayden Panettiere.

Review
07:39

The Unsung Pioneer Of Louisiana Swamp-Pop.

In the early 1960s, Joe Barry combined Cajun and country music into a whole new sound. In honor of a new anthology of Barry's music titled A Fool to Care, critic Ed Ward tells the forgotten musician's story.

Commentary

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