Music

Conductor John McGlinn says that his decision to bring back the controversial language of Jerome Kern's classic musical posed some challenges, but was necessary to recapture the poignant and insightful nature of the work. McGlinn's efforts can be heard on a new CD on the EMI label.

New Orleans-based musician Dr. John, aka Mac Rebennack, performs a few songs by one of the greats from his home city.

Gordon's band, founded in 1981, recently released the critically-acclaimed double album Daydream Nation. Gordon joins Fresh Air to discuss her experience as a woman rock musician in a male-dominated scene, playing concerts, and her desire for a larger audience.

Music scholar Barry Cooper discovered Ludwig van Beethoven's outlines for a final symphony, and decided to complete the work himself. Classical music critic Lloyd Schwartz has a review of the premiere recording, on the MCA label.

Together, brothers Brian and Eddie Holland, along with Lamont Dozier, wrote dozens of hits for the Detroit label. They worked with other record companies in the 1970s, but, says rock historian Ed Ward, they never their earlier success with Motown.

Jazz critic Kevin Whitehead reviews Hoagy Sings Carmichael, which features the songwriter's performances with an excellent jazz ensemble. Whitehead says their contributions make this album Carmichael's best.

Rock critic Ken Tucker is only now fully absorbing Sonic Youth's 1988 album Daydream Nation. The band makes use of alternate guitar tunings, and takes its lyrical cues from sci-fi writers like Philip K. Dick. Tucker says that, while the record may be band's most accessible to date, no one could accuse Sonic Youth of playing standard rock and roll.

Tuckwell doesn't see his shift from French horn performance to orchestra conducting as a career change -- it's all music to him. He joins Fresh Air to talk about his experiences as a soloist and working with other conductors.

Classical music critic Lloyd Schwartz reviews a new album featuring a 1932 recording of the composer's Bolero, performed by the Orchestre des concerts Lamoureux, and helmed by Ravel himself

Critic Ken Tucker lauds the VHS release of Letter from an Unknown Woman, a 1948 drama about a philandering pianist and the mother of his child. Tucker also recommends Floating Weeds, License to Drive, and Monkey Shines.

Jazz critic Kevin Whitehead says that a number of New Orleans musicians left the city after they rose to prominence. He reviews a new series of albums featuring the innovations of players who stayed in their hometown.

Rock critic Ken Tucker talks with Fresh Air host Terry Gross about the year in music. He says 1988 had an eclectic array of hits, with folk and hard rock albums both reaching the top of the charts.

Poet Mark Halliday reads a poem about the doo-wop group the Capris, and nostalgic recollections of teenage crushes.

After weeks of playing the music that has influenced him over the years, performer-in-residence Malcom Rebennack sings some of his own songs.

The veteran jazz musician is critically acclaimed, but McKenna considers himself a "barroom pianist." He makes a living as a solo performer, and plays several songs for Fresh Air listeners.

Rock critic Ken Tucker says that sales of movie soundtracks have become inextricably tied to the films they come from. He takes a look at three recent CDs featuring songs from Twins, Beaches, and I'm Gonna Git You Sucka.

Terry Gross interviews Fresh Air jazz critic Kevin Whitehead. He's worked as a rock and restaurant critic. He believes he distinguishes himself by actively featuring artists outside the insular New York jazz scene. Whitehead is also a former seminarian, and a bassist who plays free improvised music.

Classical music critic Lloyd Schwartz praises a new release of excerpts from Tchaikovsky's Christmas-themed suite, conducted by Yevgeney Mravinsky and performed by the Leningrad Symphony Orchestra. The CD also features what Schwartz says is one of the most powerful performances of Prokofiev's Romeo and Juliet ballet.

Rock historian Ed Ward says that, in order for rock and roll to survive, listeners must be wary of critics who exaggerate and sensationalize the past in order to sell books.

Aimee Mann fronts the rock group 'Til Tuesday. She wrote several of the songs on their record, Everything's Different Now, with her former partner Jules Shear. The band's drummer, Michael Hausman, joins the conversation.