Music

Jazz critic Kevin Whitehead says the movie star had a range of about six notes, but he had personality and a swinging house band. Yet Astaire deserves praise for making famous several songs which later became standards.

Critic Ken Tucker revisits the classic Jack Nicholson film, now on home video. He says the movie is idiosyncratic, but fizzles out by the end, after Nicholson's character has killed off so many of his emotions.

Pianist Harry Connick, Jr. makes his final appearance as Fresh Air's performer-in-residence. Today he examines the style of Thelonious Monk.

Former Monkees member Michael Nesmith helped pioneer the music video and created the blueprint for MTV. He now runs the home video production company, Pacific Arts Video, which he financed with an inheritance from his mother, who invented Liquid Paper.

Rock critic Ken Tucker says that the band's new album lives up to its name: 'Til Tuesday is now no longer a band, but a vehicle for singer and songwriter Aimee Man. Tucker says the heartbreak-riddled record has an elegantly formal structure.

Lloyd Schwartz says that Spanish cellist's renditions of Bach are unrivaled. He reviews Casals' complete performances the composer's cello suite, as well as a more recent recording of Beethoven's trios.

Rock historian Ed Ward profiles the career of the late musician, who, as a teenager, first plucked America's heartstrings on the TV show "The Adventure of Ozzie and Harriet."

Saxophonist Bobby Watson learned a lot about band dynamics from performing with the acclaimed drummer. Jazz critic Kevin Whitehead says Watson's new album, No Question About It, features excellent performances from all the players, but the arrangements go on a little too long before the improvising begins.

Performer-in-residence Harry Connick, Jr. performs to two tunes about his hometown.

Rock critic Ken Tucker reviews his favorite songs of the moment, performed by Annie Lennox and Al Green, Lucinda Williams, Shinehead, Billy Bragg, and Fairground Attraction

Composer Lou Harrison studied with Arnold Schoenberg and Henry Cowell, and collaborated with John Cage. But classical music critic Lloyd Schwartz says that a new recording of his music reveals an Asian influence. It's a calming addition to the late-20th century repertory.

Rock historian Ed Ward profiles New Orleans rocker Lloyd Price was one of the earliest black rock 'n rollers. He first recorded on the Special T label, and had hits with the songs "Personality" and his version of the old folk tale "Stagger Lee." He adopted a pop sound after New York City, started a few record labels, and owns several nightclubs.

The critically-acclaimed jazz artist is known for her use of electronics in her performances. She joins Fresh Air to discuss musical development and her experience as a woman in a male-dominated scene.

Jazz critic Kevin Whitehead says that jazz evolved in hubs throughout the United States -- not just in New Orleans, Chicago, and New York. The new big band Dreamland Syncopators resurrects some lesser known compositions from the 1920s that came from other parts of the country. Whitehead says their album Territory Jazz is a good history lesson.

Performer-in-residence Harry Connick, Jr. plays songs by Matt Dennis and Cole Porter.

Film critic Stephen Schifff says that the Irish rock band's new concert film, Rattle & Hum, exaggerates U2's abilities, importance, and depth. The movie follows them during a U.S. tour; in between performances, the band visits landmarks of American music, and share their superficial insights into their significance.

Rock critic Ken Tucker reviews new albums by two British bands. He says the Pet Shop Boys' Introspective lives up to its name, with tight, understated songs. Eighth Wonder's Fearless is commercial and accessible, yet emotionally distant.

Classical music critic Lloyd Schwartz reviews a series of recordings of pianist Artur Schanbel's performances of Mozart's music. Schwartz also shares some personal stories which illustrate why this music is so important to him.

Rock historian Ed Ward says rock programming in the 1960s had a big effect on the culture of the time -- even during the commercial breaks.

Jane Ira Bloom recorded her first album when she was still a student at Yale; she later was invited to compose music for NASA. Critic Kevin Whitehead says her latest album features tasteful electronics and a sensitive, spare accompaniment.