Music

Few musicians are as identified with Texas as the late Doug Sahm. But Sahm also spent five years in exile in California, where rock historian Ed Ward got to know him. Ed takes a look at this period, in which he says Sahm and his band, the Sir Douglas Quintet, did some of their most lasting work.

Neko Case grew up in Tacoma, Wash., attended art school in Vancouver and performs and records with the Canadian pop-rock band The New Pornographers. As a solo artist, her music has often tended to be more influenced by country and folk music. Her new CD, Fox Confessor Brings The Flood, is her fourth studio album. Our music critic says it contains some of her most complex and beautiful music to date.

Music critic Milo Miles reviews the new album St. Elsewhere by Gnarls Barkley, a persona of two Americans: producer and DJ Brian "Danger Mouse" Burton and rapper and songwriter Thomas "Cee-Lo" Calloway.

British guitarist and vocalist Romeo Stodart of The Magic Numbers talks about the band's music. The other members are his sister Michele, and Sean and Angela Gannon (also siblings). In sound, they've been compared to early Beach Boys and the Mamas and the Papas.

Rock critic Ken Tucker reviews Living with War, a new CD by Neil Young that includes the song "Let's Impeach the President." He posted the entire album on his website last week for free. It's now on sale as a CD.

William Gottlieb died of a stroke last Sunday at the age of 89. In the '40s, Gottlieb learned photography and took hundreds of shots of the jazz greats of the time. Many of those shots are now well known through album covers, books, and posters. 200 of those photos appear in Gottlieb's book, The Golden Age of Jazz.

Bruce Springsteen's new album is a departure for him. We Shall Overcome: The Seeger Sessions features Springsteen singing folk songs made famous by Pete Seeger.

Jazz critic Kevin Whitehead looks at the work of jazz pianist and composer Thelonious Monk. This week, Monk received a special posthumous citation from the Pulitzer Prize committee for "a body of distinguished and innovative musical composition that has had a significant and enduring impact on the evolution of jazz."

The musical band What I Like About Jew started out as a tongue-in-cheek cabaret act that sold out at New York venues such as The Knitting Factory and Fez. Now, the two-man act has a new CD, Unorthodox.

Jackie McLean, the legendary jazz saxophonist who died last week at age 74, began playing at the age of 15 in his native New York City. Schooled in bebop at the start of his career, the alto sax player names Coleman Hawkins, Lester Young and Charlie Parker as influences. We offer a rebroadcast of a conversation with McLean.

At a time when hip-hop dominates the R&B scene, it's often easier for a rapper to achieve commercial success than a singer. Our music critic examines why that is, in his review of two new albums by R&B vocalists: Ghetto Classics by Jaheim and On the Jungle Floor by Van Hunt.

Rock historian Ed Ward reviews Talking Heads Brick, a box set of music and DVDs featuring the David Byrne-fronted band.

Lead singer and songwriter for The Kinks, Ray Davies started The Kinks in 1964 with his brother, Dave. They are said to be the pioneers of the rowdy garage band genre of rock music. Davies is now 61 and on tour for his first solo album, Other People’s Lives.

Rock Historian Ed Ward on the history of African-American musicians in Nashville. He plays music from Night Train to Nashville a double CD put out by the Country Music Hall of Fame (in conjunction with a Country Music Hall of Fame and Museum Show).

In the age of the sampler, three innovative guitar players are taking their instruments to new heights: Richard Leo Johnson, Dominic Frasca, and Jonas Hellborg.

You Don't Know Me: The Songs of Cindy Walker is the new CD by Willie Nelson. Cindy Walker died last week at the age of 87.

Sidney Bechet played soprano saxophone in the early decades of jazz, before John Coltrane popularized the instrument. A new anthology, Mosaic Select: Sidney Bechet, offers listeners a chance to hear Bechet's music, transferred and restored from rare recordings from 1923 to 1947.