Music

Cook is a Florida-born singer-songwriter who first performed on Nashville's Grand Ole Opry stage in 2000. She hasn't become a star in those past 10 years, but she's attracted a following in the industry for her emotionally raw lyrics. Rock critic Ken Tucker reviews her fifth album, Welder.

The frontman for the pop-punk band Green Day details the group's early days in Berkeley an describes what it's been like to see American Idiot, a new Broadway musical based on one of his albums.

The name Louie Ortega doesn't spring to mind when Mexican-American contributions to rock 'n' roll history come up. But at least for some people, he's a legend based on a band he put together in Prunedale, Calif., in the late 1960s. Critic Ed Ward, who has been a fan since he first heard the band, celebrates the release of its long-rumored second album.

Tracey Thorn is best known as half of the British duo Everything but the Girl, in which she performed with her husband, Ben Watt. But since 1999, Thorn has spent much of her time raising her three children with Watt. Rock critic Ken Tucker reviews Love and Its Opposite, her third solo album.

He's been at the forefront of contemporary music and conducting for more than half a century. Marking his 85th birthday this spring, a number of new Boulez CDs and DVDs have been released. Classical music critic Lloyd Schwartz reviews three of the latest.

A regular performer at the Village Vanguard, Anat Cohen paid tribute to her early clarinet hero Benny Goodman in 2009, in honor of his 100th birthday. On Clarinetwork, her quartet plays tunes associated with Goodman, or at least songs he recorded while backing Billie Holiday.

Critic Ken Tucker reviews What We Lose in the Fire We Gain in the Flood, the debut album from a new band called The Mynabirds. The group is led by singer-songwriter Laura Burhenn, whose influences range from Dusty Springfield and Carole King to Carl Jung and Sufi poetry.

The pianist, a member of one of the most remarkable families in jazz history, died Sunday. He was 91. Fresh Air remembers the jazz legend with highlights from an interview conducted in 2005.

In a transitional period between different groups with Miles Davis and Anthony Braxton and his fusion band, Return to Forever, Chick Corea recorded a series of solo piano improvisations in 1971. Those recordings and a 1983 follow-up have been reissued in a three-CD box set.

The release of a new collection of Jimmy Donley songs, The Shape You Left Me In, suggests that there was more to Donley than his tormented biography indicates. Critic Ed Ward explains.

The legendary composer and lyricist -- who collaborated on tunes like "Raindrops Keep Falin' on My Headd," "I Say a Little Prayer" and "What's New Pussycat?" -- discuss their 50-year relationship and some favorite tunes from the Broadway revival of their musical, Promises, Promises.

Lehrer, whose topical songs include "Pollution" and "The Vatican Rag," is the subject of a new multimedia release called The Tom Lehrer Collection. David Bianculli reviews the two-disc set, which includes Lehrer's greatest hits and never-before-seen concert footage.

The comic actor, who played Jack on TV's Will and Grace, makes his Broadway debut in a revival of Neil Simon's musical Promises, Promises. He has also portrayed comedian Jerry Lewis in the made-for-TV movie Martin and Lewis and Jack Nicholson's valet in The Bucket List.

Nakasian left Wall Street to pursue her dream of becoming a professional jazz singer. The alto, who has recorded seven albums, including tributes to June Christy and Billie Holiday, describes her path from investment banking to touring internationally with Jon Hendricks and Company.

Dedicated and curious music fans are regularly finding new chapters in rock history from around the globe. Critic Milo Miles reviews one recent collection, a series of anthologies focusing on the lively story of vintage pop in Panama.

No One Knows about Persian Cats, which won the Special Jury Prize at last year's Cannes Film Festival, has now opened in theaters across the U.S. Critic John Powers says that Bahman Ghobadi's film — about outlaw musicians in Iran — is a reminder of the liberating potential of rock.

Merle Haggard's new album is called I Am What I Am, a phrase that recalls the pugnaciousness of the cartoon character Popeye. But rock critic Ken Tucker says that Haggard's new album is neither combative or passively nostalgic — it's a collection of new songs, all of them written by Haggard, that prove how thoughtful the 73-year-old country star remains.

The New York Times calls Stephen Sondheim the "greatest and perhaps best-known artist in American musical theater." Sondheim composed the music and lyrics for, among others, Sweeney Todd, Into the Woods and Company. He joins Fresh Air to discuss his career in musical theater.

Soprano saxophone can be an unforgiving instrument. It's hard to play in tune, and many players get a pinched or nasal tone like it has a bad cold. Its biggest proponents — Steve Lacy, Lol Coxhill — do influence Sam Newsome, but he stakes out his own turf with eerie-sounding, hoarse and hollow split-tones.

The Plimsouls, an L.A.-based band led by singer-songwriter Peter Case, performed extensively during the early '80s. The new release of a Plimsouls performance from Oct. 31, 1981 (called Live! Beg Borrow and Steal) leaves critic Ken Tucker feeling freshly enthusiastic about the continued vitality of The Plimsouls' music.