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07:50

A Label Paramount To Early Blues And Jazz

Between 1917 and 1932, the label released thousands of records. Jack White's Third Man Records has joined with the reissue label Revenant to release the first of two packages documenting Paramount.

Review
06:27

A Lost Piece Of Soul History Appears

In the early 1960s when soul star Sam Cooke had his own record label, SAR, he recorded songs by his younger brother, L.C. Cooke. Fifty years years, the complete set's finally issued.

Review
06:34

Spoon Wants Your Soul

Spoon has just released its first new album since 2010's Transference. Fresh Air critic says that "They Want My Soul is another fine Spoon album in a career that has now come to display a remarkable consistency."

Review
07:27

Every Composer Needs A Great Storyteller

EMI has just reissued a broad spectrum of German conductor Otto Klemperer's recordings, including a box set of one of the composers he's most associated with: Gustav Mahler.

Review
07:09

The Cowboy That Wasn't A Cowboy Sings

A new album from Cowboy Jack Clement has the prolific producer performing many of his best-known compositions with help of Emmylou Harris, Buddy Miller, Rodney Crowell and John Prine.

Review
05:34

Fred Hersch Knows His Trios

Fred Hersch pulls together jazz piano traditions that have little in common. Kevin Whitehead says the classic piano, bass and drums trio format suits Hersch best of all in a review of Floating.

Review
07:53

Remembering Horace Silver, Hard Bop Pioneer.

Jazz pianist, bandleader and composer Horace Silver died Wednesday at age 85. Fresh Air critic Kevin Whitehead says that Silver had been off the scene awhile, but his influence is as strong as ever. Hear an appreciation.

Commentary
06:25

A Double Dose Of Ronald Shannon Jackson's Free-Funk

Two fine albums by drummer Ronald Shannon Jackson and the Decoding Society, Man Dance and its sequel Barbeque Dog, are now available again as downloads, after being out of print for ages. Fresh Air critic Kevin Whitehead says they're prime examples of the 1980s' so-called "free-funk" movement.

Review

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