Theater

We remember dancer Gwen Verdon. She died today at the age of 75. She became an overnight Broadway sensation in 1953 as a dancer in Can Can, for which she won her first Tony Award. Later she created her most memorable roles in Bob Fosse's "Damn Yankees" as the seductress Lola, "Sweet Charity" as the taxi dancer Charity, and "Chicago" as the chorus girl Roxie. Verdon was also Fosse's third wife. (ORIGINAL BROADCAST from 5/5/93)

Actresses Joan Allen (Pat Nixon in “Nixon,” “The Ice Storm,” “Pleasantville” and the upcoming film “The Contender”) and Laurie Metcalf (a regular on TV’s “Norm”, longtime co-star of “Roseanne”).

Chicago’s Steppenwolf Theatre celebrates its 25th anniversary this year. The actor-driven theatre is known for its ensemble acting, and cutting-edge acting style. It’s members include John Mahoney (Martin Crane on “Frazier”), John Malkovich, Kevin Anderson and four actors whom we’ll hear from: First, founding members Gary Sinise (films: “Mission to Mars,” “Apollo 13,” “Of Mice and Men,”) and Terry Kinney (a regular on HBO’s “Oz”).

We remember British actor Sir Alec Guinness who died Saturday at the age of 86. He’s known to older audiences for his roles in films like “The Bridge on the River Kwai,” and to younger audiences as Obi-Wan Kenobi in Star Wars. (REBROADCAST from 2/27/1986)

The 1957 musical “The Music Man” by Meredith Wilson is currently being revived on Broadway. A talk with two of the stars: Craig Bierko who plays the lead role of traveling salesman and conman Harold Hill originated by Robert Preston. This is Bierko’s first Broadway show. Also co-star Rebecca Luker who plays Marian the Librarian, the role originated by Barbara Cook. This is LUKER’s fourth Broadway role.

Also star Vernel Bagneris who also wrote, directed and starred in the hit show, “One mo’ Time’ and the sequel “Further Mo.’

The 1946 Harold Arlen/Johnny Mercer musical St. Louis Woman is being revived at the Prince Music Theatre in Philadelphia. (thru June 25th) The musical – which was written for and features an African-American cast –features the songs “Come Rain or Come Shine,” “I Had Myself a True Love,” and “Anywhere I Hang My Hat is Home.” We talk with two individuals, first: Larry Maslon who rewrote the libretto for the show. Maslon is professor of theatre at New York University.

Classical music critic Lloyd Schwartz reviews the world-premiere recording of Kurt Weill’s opera Die Buergschaft—The Pledge (on EMI). It’s one of Weill’s most neglected works first performed in Berlin in 1932, and was revived last year during the Spoleto Festival USA.

Classical music critic Lloyd Schwartz reviews a new production of Shakespeare’s “Macbeth” starring Kelsey Grammar of “Frasier.” The show is in tryouts in Boston this week and opens on Broadway next.

Playwright and director George C. Wolfe. He wrote and directed the hit Broadway musical “Jelly's Last Jam,” about Jelly Roll Morton. Wolfe also wrote the play “The Colored Museum,” a satire about the black experience in America. His newest musical is “The Wild Party” based on the long-lost classic poem about the roaring twenties by Joseph Moncure March. (the book was republished in 1994 with drawings by Art Spiegelman). It’s currently playing at the Public Theatre on Broadway.

Australian actress Toni Collette She stars as Queenie, a vaudeville dancer, in “The Wild Party.” Collette is best known for her offbeat role as Muriel in the film “Muriel’s Wedding.” She also had a role in “Velvet Goldmine.” This year she received an academy award nomination for her portrayal of the boy’s mother in “The Sixth Sense.”

This year marks the centennial of the birth of German-born Kurt Weill, considered one of the 20th century’s most influential composers. And Monday, April 3, is the 50th anniversary of his death. He and lyricist Bertolt Brecht revolutionized musical theatre with a blend of cabaret and classical traditions resulting in “The Threepenny Opera” “Seven Deadly Sins” and others. In 1933 Weill, a Jew, fled Berlin and in 1935 came to America where he began working in American theatre. We talk about Weill with Kim Kowlake (Koe-WALL-kee), President of the Kurt Weill Foundation for Music.

Classical music critic Lloyd Schwartz reviews Tatiana Troyanos album "Troyanos in Recital."

Singer/Actress/Performer Audra McDonald. McDonald has won three Tony Awards, for her performances in ‘Carousel,’ ‘Master Class,’ and ‘Ragtime.’ She recently performed on Broadway as the star of ‘Marie Christine,’ and just appeared in The Vagina Monologues at the Westside Theater in New York. She continues to appear on concert stages nationally. Her new CD is called ‘How Glory Goes’ (Nonesuch Records), and her PBS Special, ‘Audra McDonald at the Donmar, London,’ is airing nationally in March. (This interview continues in the second half of the show.)

Classical music critic Lloyd Schwartz reviews new recordings of some of Stravinsky's early vocal music: Natalie Dessay singing Stravinsky's The Nightingale (EMI), and Stravinsky Conducts Stravinsky (box set on Sony).

Classical music critic Lloyd Schwartz reviews soprano Renee Fleming's new recording of Strauss Heroines with the Vienna Philharmonic, on the Decca label.

Classical music critic Lloyd Schwartz tells us what music he most wants to remember from the 20th Century. His selections come from the new box set “Stravinsky REV: Conducting Stravinsky” (Sony), The Dvorak Cello Concerto with Pablo Casals (EMI Reference disc), Joseph Szigeti’s Prokofiev Concerto (Pearl), Artur Schnabel on a currently out-of-print Schubert CD (Arabesque). And Maria Callas’s recordings (EMI)

Classical Music Critic Lloyd Schwartz reviews the new John Harbison opera, The Great Gatsby, based on the book by F. Scott Fitzgerald.

Stage legend Elaine Stritch. In a career spanning more than 40 years, she has received acclaim for her work on stage, as well as on television and in motion pictures. She starred in the original 1961 Broadway production of Noel Coward's musical Sail Away. In honor of Coward's upcoming centenary, she'll reprise her role in a concert production at Carnegie Hall.