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03:57

A Legendary Director's "Fear of the Dark"

Book critic John Leonard says that Ingmar Bergman's lacerating new autobiography, The Magic Lantern, is an important literary text. It explores Bergman's bleak inner life as well as his philosophies on filmmaking.

Review
09:35

Character Actress Jane Alexander

Jane Alexander has worked onstage and, most notably, on a made-for-TV movie about Eleanor Roosevelt. She recently founded her own production company. Alexander joins Fresh Air to talk about some of her film roles and the place for older women in the motion picture industry.

Interview
10:01

Movie Star Saeed Jaffrey

The actor left India to study in England; he says there were no opportunities to hone his craft in his home country. Despite personal discrimination and early difficulties finding race-approriate roles, Saeed refused to become bitter; he says harboring that emotion would have hurt his acting. He stars in the new film The Deceivers.

Interview
03:57

A Juiceless and Didactic Baseball Movie

Eight Men Out, about a 1919 baseball scandal, is directed by John Sayles. Film critic Stephen Schiff says there are some good performances, but the movie is more of a moralistic argument than a story; it could have used some of the wit Sayles injected into his earlier B-movies.

09:48

"Street Smart" Actress Kathy Baker

Baker stars opposite Michael Keaton in the new movie Clean and Sober. Previously, she played a sex worker in Street Smart, which gained popularity after its home video release. Baker didn't start acting until she was in her thirties.

Interview
03:28

Holding the Keys to the Nuclear Arsenal

PBS will soon air the documentary Missile, about the fourteen-week training program for launch operators. TV critic David Bianculli says it gives real life context to the hit film Wargames. Director Frederick Wiseman's signature eschewing of interviews sometimes detracts from the narrative, but the movie is overall worth watching.

Review
03:07

Basic Plumbing: An Hour's Worth of High Drama

Critic and homeowner Ken Tucker reviews an instructional video about basic home repair, which enthralled him with the actors' calm, zombie-like performances. Tucker also recommends VHS releases of Cry Freedom and Tampopo.

Review
03:48

A Movie with the Impact of a Just Say No Ad

Film critic Stephen Schiff says that Michael Keaton is too good an actor to star in Clean and Sober, a movie that focuses more on problems than characters. Schiff says the film feels like it was made for TV, rather than the big screen.

27:27

Remembering "A Difficult Actor"

Accomplished stage and screen actor Simon Callow wrote a biography of Charles Laughton, from whom he drew tremendous inspiration. Callow says Laughton's skill in part stemmed from the late actor's self-hatred and closeted homosexuality.

Interview
27:03

Prolific Film Director Sidney Lumet

Lumet is known for completing movies quickly and under budget. He's made 38 films in 30 years -- a pace typically associated with the studio system of early Hollywood. He joins Fresh Air to discuss the consistency of American actors, including stars like Al Pacino and Henry Fonda, and the production of several of his classic movies.

Interview
09:20

Two Film Producers on Their Role in Filmmaking

Together, Griffin Dunne and Amy Robinson have produced respected, independent, low-budget features like Chilly Scenes of Winter, Baby It's You, and Martin Scorsese's After Hours. Rejecting auteur theory, they see movie-making as a collaborative process with the director. Their newest film, "Running on Empty," is directed by Sidney Lumet.

03:33

Aretha Franklin: An "American Master"

The PBS series' latest episode is a documentary of the legendary soul singer. TV critic David Bianculli say the film gives viewers a chance to see rare interviews and concert footage, but glosses over much of Franklin's personal life.

Review
26:46

"The Ragman's Son" Remembers

Kirk Douglas says that growing up in abject poverty was an advantage: he had nowhere to go but up. Often known for his tough guy roles, he also enjoys playing men who are weak, lost and vulnerable. He started his own production company to make movies he believed had depth and substance. His new autobiography looks back on his career so far.

Interview
27:49

Ray Bradbury's Visions of the Future

In addition to his career as a science fiction writer, Bradbury helped design Disney's Epcot Center and the Pavilion of the Future for the 1964 World's Fair. His new collection of short stories is called the Toynbee Convector.

Interview
09:45

A Sea of Conflicting Facts

Errol Morris thinks of himself as much a detective as a documentary filmmaker. Known for his off-beat subjects, he's adopted a more serious tone with his new movie, The Thin Blue Line, about a murder investigation in Dallas. Errol believes the man sentenced to death for the crime, Randall Dale Adams, is innocent.

Interview
09:55

Finding Roles for an Asian Actor

Japanese American actor Mako appears in two new films out now: Tucker and The Wash. He moved to the United States shortly after World War II, and later served in Korea. He considered dodging the draft, but worried ihs actions might affect his parents' immigration status in America.

Interview
03:03

Showtime's Spooky Thriller "Gotham"

Critic David Bianculli says the cable network's new made-for-TV movie is great, thanks to its excellent performances, photography, and ghastly concept. But the lackluster script keeps Gotham from being a classic.

Review
26:33

The Return of Dean Stockwell

The former child actor dropped out of the film industry and later worked in real estate. He's recently made a comeback with movies like Married to the Mob and Blue Velvet. Stockwell tells Fresh Air guest host Sedge Thomson about the new perspective he's gained an adult.

Interview
03:50

Reverence for the American Jesus

Martin Scorsese's new movie, The Last Temptation of Christ -- adapted from a novel by Nikos Kazantzakis -- takes its cues from old western movies. Film critic Stephen Schiff says the director evangelizes through the back door, convincing us that we really are watching the greatest story ever told.

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