Animation & Cartoons

Bugs Bunny and Daffy Duck have recently been revived in the podcast, "Bugs and Daffy's Thanksgiving Adventure." We mark the occasion by listening to our 1989 interview with Jones, who died in 2022.

Co-writers and co-directors Lee Unkrich and Adrian Molina spent six years creating their animated film about the Day of the Dead, the Mexican holiday Unkrich calls a time of "joyously remembering."

Director Pete Docter had the idea for this movie a little over five years ago after he saw his own 11-year-old daughter become sad and tried to imagine how the world looked through her eyes.

The new film from the acclaimed Japanese animator spans 30 years and centers on a young man who dreams of designing the perfect airplane in the early 1930s.

The legendary Hollywood FX man died Tuesday at age 92. Known for creating the monsters in such films as Mighty Joe Young and Jason and the Argonauts, Harryhausen spoke with Fresh Air in 2003 about studying animals in nature to create the monsters of our imaginations.

The movie Brave is Pixar's first feature with a female protagonist — a medieval Scottish princess named Merida (voiced by Kelly MacDonald) who asserts her independence and wreaks havoc. Critic David Edelstein says the film is "pure Pixar in its mischievousness and irreverence."

Director Lee Unkrich and screenwriter Michael Arndt discuss the final film in the Toy Story trilogy. One inspiration for the movie? An incident in which Unkrich accidentally threw out his wife's toys.

Walt Disney's Fantasia, the first feature-length film to offer visual images of classical music, has just been re-released in a new box set. Music critic Lloyd Schwartz says the film is a delightful introduction to classical music -- but doesn't always convey it convincingly on screen.

Fresh Air's David Edelstein couldn't limit himself to 10 movies for his Top 10 list -- he put 12 titles on this year's crop -- and explains why he parted ways with colleagues when it came time to hand out the annual New York Film Critics Circle Awards.

The third and final installment of the Toy Story trilogy turned out to have some deep themes: death, abandonment, loss. One inspiration: an incident in which director Lee Unkrich accidentally threw out his wife's toys. Both Unkrich and screenwriter Michael Arndt join Terry Gross to talk about the trilogy, due on DVD Nov. 2.

On the surface, Toy Story 3 is about kids' fantasies about toys that come alive after the lights go out -- but its themes speak to a much more grown-up audience. Critic David Edelstein examines the latest movie in the Toy Story franchise, which he says touches on both the present and the past.

Director Wes Anderson has worked on a lot of film projects, but with his latest film, Fantastic Mr. Fox, he ventured into new territory: animation. Anderson says that making a stop-motion picture is the most involved filmmaking he's ever done, but he also says that the process has "a sort of magic."

Director Wes Anderson's first animated film is based on Roald Dahl's cheerfully wicked children's book about a wily fox who wages war on three farmers. Critic David Edelstein says the film -- with its stop-motion animation, big-name voice talent and quirky mannerisms -- achieves a degree of realism that isn't always apparent in the cult director's work.

Straightforward and kid-friendly, Hayao Miyazaki's Ponyo isn't the animation master's most complicated film. But in some ways, the film's simplicity offers a clearer look at the director's greatness. Movie critic David Edelstein explains.

It's a double feature from critic David Edelstein, who says Pixar's sublime new film Up reaches heavenward, while Sam Raimi's deliciously gory Drag Me to Hell crawls in the opposite direction.

The latest from the Monsters, Inc. director is an adventure story featuring a grouchy old man, a chubby boy, a 13-foot-tall flightless bird and a house set aloft by balloons.

With its exquisite visuals, Henry Selick's Coraline turns Neil Gaiman's dark fantasy into a stop-motion masterpiece — and one children's tale that's decidedly not just for the kids.

The man behind Nemo and Wall-E has warmed hearts with his unlikely heroes — a clownfish? A sentient trash compactor? He tells Terry Gross about finding inspiration in unlikely places, and in everyday objects.

Pixar has always focused on loss, decay, and the dark side of materialism. Here that theme extends to the ruination of the planet — and Wall-E ranks among the most sublime feature-length works of animation ever made in this country.