Opera

Classical music critic Lloyd Schwartz reviews a new recording of Opera Finales performed by soprano Josephine Barstow. (on the Decca label).

Classical music critic Lloyd Schwartz reviews the new opera, "The Ghosts of Versailles ("vahr-SIGH") by composer John Corigliano ("core ee ahn no"). It premiered two weeks ago at the Metropolitan Opera in New York, the first new opera to premiere at the Met in 25 years.

In honor of Thanksgiving, rock historian Ed Ward carves up some rock and roll turkeys.

Classical music critic Lloyd Schwartz reviews "The Death of Klinghoffer," the new opera from composer John Adams. It recently had its American premiere at the Brooklyn Academy of Music.

Baritone Sanford Sylvan. He portrayed Zhou Enlai in John Adams' "Nixon in China." He's a regular in Peter Sellars' repertory company, having played in "The Marriage of Figaro," and "Cosi Fan Tutte." He's playing the title role in Adams's "Death of Klinghoffer," which has its American premiere at the Brooklyn Academy of Music in September. He also has his first solo record, "Beloved That Pilgrimage," on which he is accompanied by pianist, David Breitman. (on the Nonesuch label).

Classical music critic Lloyd Schwartz reviews a new videotape of the first time Wagner's Ring Cycle was broadcast on television, with conductor Pierre Boulez and stage director Patrice Chereau.

Classical Music critic Lloyd Schwartz reviews the Great Performances telecast of Peter Sellars' production of "The Marriage of Figaro." It airs this Friday night on PBS.

Jazz critic Kevin Whitehead reviews the re-release of the exceptional Carla Bley and Paul Haines concept album. It features an eclectic mix of singers and musicians, including Linda Ronstadt, Jack Bruce, Don Cherry, and John McGlaughlin.

Classical music critic Lloyd Schwartz reviews a new recording of "Flavio" on the Harmonia Mundi label. He says it's perhaps the best performance of the opera since Handel's own time.

The label has reissued the complete recordings of the maestro, which include over 80 releases. Classical music critic Lloyd Schwartz reviews three boxed sets featuring works by Beethoven, Brahms, and Verdi.

Classical music critic Lloyd Schwartz reviews the operatic adaptation of Henry James' story, "The Turn of The Screw." It was composed by Benjamin Britten in 1954, and London records has just reissued a recording of Britten performing the work.

Classical music critic Lloyd Schwartz reviews two new Angel recordings featuring British conductor Roger Norrington. Norrington is known for his use of original instruments. The albums feature music from the 19th century by Schubert, Mendelssohn, Weber, Wagner, and Berlioz.

Classical music critic Lloyd Schwartz reviews a new CD collection of songs by the late Roland Hayes. Hayes was the first major black concert singer, and paved the way for performers such as Marion Anderson. (It's issued by the Smithsonian).

Poet ALLEN GINSBERG and composer PHILLIP GLASS. The pair have collaborated on a interpretation of Ginsberg's poem, "Hydrogen Jukebox." The work gets it's premiere April 26th at the American Music Theatre Festival in Philadelphia, and features six singers, a five piece orchestra, and a mix of songs, chants, and the spoken word.

Classical music critic Lloyd Schwartz reviews a new compact disc of opera recordings by Spanish mezzo-soprano Conchita Supervia (pronounced super-VEE-a). It's been released as part of the Club 99 series.

Classical music critic Lloyd Schwartz reviews a new series of early operatic recordings reissued on the Nimbus. Lloyd says Nimbus went to extraordinary lengths to re-record these vintage performances from the first half of the century, and the care shows.

Classical music critic Lloyd Schwartz pays tribute to the late mezzo-soprano Jan DeGaetani (DEE-guy-tahny). DeGaetani died last September; Lloyd reviews her last album, just released by Bridge records. It contains works by Berlioz and Mahler.

Classical music critic Lloyd Schwartz reviews three reissues of music by composer Erich Wolfgang Korngold. Korngold was a success at both serious composition and writing music for the movies...among his film scores are the classics "The Sea Hawk," and "The Adventures of Robin Hood."

Classical music critic Lloyd Schwartz has a review of a never-before-recorded Kurt Weill (Vile) opera. Weill is best-known for his collaborations with playwright Bertolt Brecht, such as "The Threepenny Opera" and "The Rise and Fall of the City of Mahogany".

Classical music critic Lloyd Schwartz reviews a new release of Mozart's comic opera, "The Abduction from the Seraglio." It's a 1961 performance of a little known German comedy by Mozart, but Lloyd says it compares favorably with his best known Italian works.