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Jazz legend Miles Davis playing the trumpet in a red shirt

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06:48

Two by Jazz Trumpet Elder Kenny Wheeler

The newest crop of trumpet stars are in their 20s; Wheeler is four decades older -- which may account for why he hasn't gotten more attention. Jazz critic Kevin Whitehead says that his beautiful tone is unmatched, and his distinctive solos have a saxophone-like quality. Tucker reviews two of Wheeler's albums on the ECM label.

Review
10:11

Cellist Diedre Murray

Murray is one of the few cello players working in jazz. She says class and cultural differences between black and white communities can explain why fewer African American children learn classical instruments. She appears on Muhal Richard Abrams' new album, The Hearinga Suite.

Interview
06:25

Two Albums Chart New Directions for Jazz Orchestras

Kevin Whitehead reviews albums by Muhal Richard Abrams and Walter Thompson. Both bandleaders came from the 1960s avant-garde scene, and incorporate all styles of jazz into their music, including traditional bop, free improvisation, and electronic sounds.

Review
06:58

An English Jazz Invasion.

Jazz critic Kevin Whitehead looks at another British invasion, this one the current invasion of British jazz musicians. Kevin reviews singer Cleveland Watkiss, saxophonists Evan Parker, Courtney Pine, and Steve Williamson.

Review
06:53

Schuller "Tidies Up" Mingus.

Jazz critic Kevin Whitehead reviews "Charles Mingus Epitaph" (on the Columbia label) It's a live recording of the Mingus composition conducted by composer Gunther Schuller last year at New York's Lincoln Center.

Review
23:15

Jazz Trumpeter Red Rodney.

Jazz trumpeter Red Rodney. Rodney's played with the greats...Benny Goodman, Woody Herman, Charlie Parker, among many others. He has a new album, called "Code Red," on the Continuum label.

Interview
23:21

Jazz Saxophonist Stan Getz.

Jazz saxophonist Stan Getz dropped out of school and went on the road at 15. He only took a few lessons on his instrument, instead learning by playing with other musicians. He's been popular in both jazz and pop. His latest album is Apasionado.

Interview
06:55

Les Miserables Brass Band's Creative Unpredictability.

Jazz critic Kevin Whitehead reviews "Manic Traditions," the new album by Les Miserables Brass Band. They're an eclectic group that plays brass music from around the world, as well as original works. (They're on the Northeastern label).

Review
18:45

"Fake Jazz" Saxophonist John Lurie.

Musician and actor John Lurie. He appeared in Jim Jarmusch's off-beat films "Down By Law," and "Stranger Than Paradise." Lurie also scored the music for these films, and he performs and records with his group, The Lounge Lizards. Lurie has a new album, Voice of Chunk, which he produced and is marketing himself through TV ads and an 800 number.

Interview
07:01

How Carmen McRae and Other Jazz Artists "Handle" Monk.

Jazz Critic Kevin Whitehead reviews a new CD featuring Carmen McRae. It's "Carmen Sings Monk" on the BMG/RCA label. The recording is a first: no other performer has been permitted to record the lyrics to Monks' songs. McRae got special permission from the Monk family. The CD also features the late saxophonist Carlie Rouse.

Review
06:58

Teo Macero's Quirky Charm.

Jazz critic Kevin Whitehead reviews "The Best of Teo Macero," a reissue of Macero's so-called "third stream" work from the 50s. It's on Stash records.

Review
06:20

Remembering Dexter Gordon.

Jazz tenor saxophonist Dexter Gordon was one of the creators of bop and one of the most influential players of the 1940s and 1950s. Gordon received a Best Actor Academy Award nomination for his role in the 1986 film Round Midnight. He died this morning of kidney failure. Jazz critic Kevin Whitehead joins the show to remember Gordon.

Commentary
06:57

The Blues Side of Jack Teagarden.

Jazz critic Kevin Whitehead reviews "That's a Serious Thing," a new reissue featuring trombonist Jack Teagarden. Kevin says the album shows how Teagarden brought a country influence into jazz. The album's on the RCA/Bluebird label and it features Teagarden performances from 1929 to 1957.

Review

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