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Jazz legend Miles Davis playing the trumpet in a red shirt

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06:00

A Review of Recent Lee Konitz Recordings

Jazz critic Kevin Whitehead reviews three releases featuring alto saxophonist Lee Konitz,a versatile musician known to be flexible depending on the context or ensemble he's in.

Review
15:57

"A Prairie Home" Pianist Butch Thompson

The Butch Thompson Trio was a regular on Garrison Keillor's syndicated radio show. Thompson's specialty is classic jazz from 1890s to about 1940, including the music of Scott Joplin, Jelly Roll Morton, Fats Waller, Eubie Blake, and others. He has a new series of solo CDs entitled "Minnesota Wonder."

Interview
06:16

Celebrating Ella Fitzgerald's 75th Birthday

Jazz critic Kevin White pays tribute to Ella Fitzgerald who turns 75 this Sunday. He argues that there are two versions of the jazz singer -- an interpreter of ballads and standards, the other a "superhuman" scat singer.

Commentary
16:37

Guitar "Genius" Bill Frisell

Frisell is a prolific performer and recording artist; one reviewer likened him to both a "painter and sonic psychopath." His latest album, "Have a Little Faith," pays tribute to American music makers like Muddy Waters, Madonna, John Hiatt and John Philip Sousa.

Interview
06:23

Reissues of Three Classic Jazz Singers

Jazz critic Kevin Whitehead revisits albums that epitomized a different side of the 1950s cool jazz movement: "Once Upon a Summertime," by Blossom Dearie, "Dream of You," by Helen Merrill, and "Ella Swings Lightly," by Ella Fitzgerald.

Review
05:25

The Right Way to Blend Jazz and World Music

Jazz critic Kevin Whitehead reviews "Nocturne Parisian," by Graham Haynes, and "Overlays," by the Ned Rothenberg Double Band. They're both electric ensembles who work to bring new styles into the jazz tradition.

Review
22:36

A Theatrical "Me-Morial" for Jelly Roll Morton

Actor and playwright Vernel Bagneris and pianist Morten Gunnar Larsen perform selections from their show, "Jelly Roll Morton: A Me-morial," with music written by Morton, and a script taken from Library of Congress tapes of Morton from 1938. The New Yorker calls it, "an experimental study, done within a traditional Broadway-musical framework, of the life and death of a black misanthrope. . . a psychomusical."

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