Blues

Fresh Air's rock critic reviews Is It News, the new album from Texas blues musician Doyle Bramhall. He's had two previous discs, but this is the first collection where the songs are all his own.

The singer, songwriter and drummer has played in his own band, the Chessmen, and with a host of Texas music titans from Stevie Ray Vaughan to Marcia Ball.

Koko Taylor long ago earned her title of "Queen of the Blues." In the mid-sixties, she came to Chicago from a sharecropper farm in Tennessee. There, she was discovered by the celebrated songwriter and performer Willie Dixon, who provided her with her crossover hit, "Wang Dang Doodle".

In 1975, after her record company went out of business, she signed with Alligator Records — and critic Milo Miles says Old School, her new album on that label, embodies Alligator's straightforward, hard-rocking blues style.

Our rock critic reviews Springtime Can Kill You the new CD from singer-songwriter Jolie Holland.

Rock critic Ken Tucker reviews To Tulsa and Back by J.J. Cale, and Roll It Down by Canadian-American Ray Bonneville.

His album, Down in the Alley has been nominated for a Grammy as Best Traditional Blues Recording. He's been playing acoustic blues for nearly 20 years. Though he was raised in California, his roots musically and otherwise are in rural Mississippi. He was influenced by Charlie Patton, Leadbelly, Blind Willie McTell and others. Later he was also influenced by Jimi Hendrix and Taj Mahal.

He's written a new biography of blues legend Muddy Waters who is credited with inventing electric blues and creating the template for the rock and roll band. The book is Can't Be Statisfied: The Life and Times of Muddy Waters. (Little, Brown). Gordon also produced and directed an accompanying documentary of the same name which will be shown as part of the PBS American Masters series next year. Gordon's other books are It Came From Memphis, and The King on the Road. He also produced the Al Green box set, Anthology.

Rock critic Ken Tucker reviews Down in the Alley, the new CD from Alvin Youngblood Hart.

Jazz critic Kevin Whitehead reviews the reissue Jumpin at the Apollo (Delmark) featuring saxophonist Illinois Jacquet.

Music Critic Milo Miles reviews Downhome Sophisticate the new CD by Corey Harris.

Otis Taylor brings his banjo to the studio for a concert and conversation. We'll hear tracks from his new CD, White African. Taylor plays guitar and ukelele in addition to banjo. His music is often described as minimalist, and his lyrics are often stories of race and racism. He's been compared to John Lee Hooker.

Music critic Milo Miles reviews Avalon Blues, (Vanguard) a new tribute album to country blues performer Mississippi John Hurt.

Critic Milo Miles reviews White African (Northern Blues label) by blues man Otis Taylor.

Rock historian Ed Ward on the music of three blind bluesmen.

Singer and musician David Johansen was the lead singer for the 70s pre-punk punk rock band New York Dolls. Later he performed as Buster Poindexter, a pompadour tuxedo wearing lounge lizard swing bandleader of the band Banshees in Blue. Now he has a new roots-music band and a new album of straight blues, David Johansen and the Harry Smiths.

Critic Milo Miles reviews a new 3-CD set Demons and Angels (Shanachie) collecting the recordings of blues guitarist Rev. Gary Davis

Music critic Milo Miles reviews a collection of early Muddy Waters material for Chess Records: “Rollin’ Stone: A Golden Anniversary Collection” (MCA)

Rock critic Ken Tucker reviews the new album “Riding With the King” featuring guitarists B.B. King and Eric Clapton.

Nadine Cohodas is the author of “Spinning Blues into Gold: the Chess Brothers and the Legendary Chess Records” (St. Martin’s Press). It’s the story of brothers Leonard and Phil Chess, Jewish immigrants from Poland, who knew little about music, but somehow created the influential blues label, Chess Records. Muddy Waters helped them see the potential in the music and they went on to record Waters, Howlin’ Wolf, Willie Dixon, Chuck Berry, and others. Chess Records was located in Chicago.

We remember Tex-Mex rocker Doug Sahm. For many, he was best known for his stint with the Sir Douglas Quintet, a group of Texans and Mexicans who were packaged to look like a British Invasion band. Sahm had played a variety of styles since, including Tex-Mex, blues, rhythm and blues, rock. Sahm died last week. (Rebroadcast from 9/7/89)

Rock historian Ed Ward profiles Rufus Thomas.