Film

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

The famed author and illustrator broke the rules of American children's literature in the '50s and '60s, but many Americans have never heard of him. A new documentary, Far Out Isn't Far Enough, looks at his life and work.

Pedro Almodovar's ensemble comedy I'm So Excited is set on an airplane with mechanical problems. Neil Jordan's Byzantium centers on a pair of itinerant English vampires. The two films couldn't be more different, but the two filmmakers are very much in command of their craft.

A new film from Sofia Coppola, who made Lost in Translation and Marie Antoinette, is based on the real-life story of a group of Southern California teens who, in 2008 and 2009, began breaking into the homes of celebrities and stealing everything from designer clothing to watches and jewelry.

Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy Much Ado About Nothing -- shot in black and white. Film critic David Edelstein says it's a delight.

A new documentary directed by Morgan Neville profiles backup singers whose voices you know but whose names you probably don't: Lisa Fischer, Darlene Love, Judith Hill and Merry Clayton.

Seth Rogen and Evan Goldberg met as adolescents on the Vancouver bar mitzvah circuit -- and soon after began writing the script for what would become the movie Superbad. Their project This Is the End, is a disaster-movie spoof in which the Rapture hits home in Hollywood.

The East is a romantic activist outlaw fantasy in which Brit Marling plays an agent who poses as a radical activist to catch an eco-terrorist group. It's one of those melodramas in which someone on the morally wrong side has a spasm of conscience and maybe crosses over. Maybe.

In Richard Linklater's third film about Jesse and Celine, the two have officially coupled up, but it's no fairy tale. The love is still there, but the daily grind is getting in the way of communication. Linklater, Ethan Hawke and Julie Delpy join Fresh Air's Terry Gross to talk about the new film.

Fresh Air's critic at large John Powers returns from the 2013 Cannes Film Festival with tales of the good, the bad, and the parties. He says Blue Is the Warmest Color was "the film of the festival" while Only God Forgives was the biggest disappointment.

The Truffaut borrowings are explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. In both films, conversation is a centerpiece as characters navigate relationships.

The screenwriter, producer, director and actor, whose name has become synonymous with American comedy, talks about his penchant for spoofs and his decades-long friendship with Carl Reiner. Brooks, who is among a handful of people who've won Emmy, Grammy, Oscar and Tony awards, is the subject of a new documentary on PBS.

The 12th film based on Gene Roddenberry's '60s sci-fi TV show is the second to star a new group of actors as Kirk, Spock and their crew. J.J. Abrams returns as director, and Sherlock star Benedict Cumberbatch plays the memorable villain.

In a striking documentary, Sarah Polley turns the camera on her own family. The director and actor, known for films such as Away from Her and The Sweet Hereafter, was teased growing up about not looking like her actor father. At 27, she discovered that it wasn't a joke.

In Frances Ha, a 27-year-old (Greta Gerwig) navigates New York City — and the transition from prolonged adolescence to proper adulthood. Gerwig and director Noah Baumbach co-wrote the script; they join Fresh Air's Terry Gross to talk about the project.

The movie is loud and obvious, but it's not a desecration of F. Scott Fitzgerald's 1925 masterpiece. Baz Luhrmann's interpretation of The Great Gatsby is more like a cartoony Broadway musical version of Gatsby in which no one, alas, sings.

The legendary Hollywood FX man died Tuesday at age 92. Known for creating the monsters in such films as Mighty Joe Young and Jason and the Argonauts, Harryhausen spoke with Fresh Air in 2003 about studying animals in nature to create the monsters of our imaginations.

Director and co-writer Shane Black kicks Tony Stark, played by Robert Downey Jr., out of his comfort zone — a choice that has Stark functioning as a lone gumshoe, thinking like a garage mechanic and, when necessary, straight-up MacGyvering a fix.

In her classic '60s documentary, Shirley Clarke profiles a loquacious 33-year-old gay hustler who dreams of having a nightclub act. Her subject could hardly be more complex — and in examining him, she raises important questions about the relationship between fact and fiction.