Film

Language commentator Geoff Nunberg considers why actors adopt foreign or regional accents in film -- and why they sometimes speak in their natural voice, regardless of the part they play.

Diane Johnson's first novel in eight years deals with an American woman's affair during the Iranian revolution. She joins Fresh Air to talk about writing biographies and screenplays and why it took her so long to finish her newest book.

Feminist writer Gloria Steinem has a new book about actress Marilyn Monroe. Steinem was initially disgusted by Monroe's portrayal of some onscreen. Now she has a more sympathetic view toward the late actress's talent and vulnerability.

Novelist William Kennedy and his son Brendan collaborated on a children's book called Charlie Malarkey and the Belly-Button. Despite the elder Kennedy's success as a novelist, the two received a series of rejections before finally getting their work published. Kennedy also talks about his recent work as a screenwriter.

Actress Lynn Redgrave, known for numerous stage productions and the film Georgy Girl, comes from a family of actors. She joins Fresh Air to discuss her craft and how both her weight and famous last name shaped her career.

Film director John Waters has cultivated a second career as a writer. His newest collection of essays is called Crackpot. He joins Fresh Air to talk about his television watching and filmgoing habits, and to discuss some of his favorite recent releases. Listeners call in with their questions.

Film critic Roger Ebert returns to Fresh Air to discuss the impact VCRs and the home video market has affected an audience's movie watching habits--a topic he explores in the book Roger Ebert's Movie Home Companion. The newest iteration of his television show with fellow critic Gene Siskel is called At the Movies. Fresh Air listeners call in with their questions.

Independent filmmaker Spike Lee's first feature, She's Gotta Have It, has garnered critical adulation and popular success. He joins Fresh Air to discuss his experiences as a black director, having an all-black cast, and making a movie that deals frankly with women's sexual desires.

Sir Alec Guiness may be best known for his roles in films like Star Wars and Bridge on the River Kwai, but he honed his craft in the theater, learning something new with every production.

Terry Zwigoff is the director and producer of the documentary "Louie Bluie," about jazz violinist and mandolinist Howard Armstrong. Armstrong continues the tradition of black string bands in the nineteen-teens and the nineteen-twenties. Armstrong's career was revived in the nineteen-seventies on the college circuit. Zwigoff plays the cello and mandolin himself, including in cartoonist R. Crumb's band, and collects jazz records.

Edward Wilkerson is a jazz musician and composer. He joins the show to discuss his work and career. His ensemble the Shadow Vignettes' most recent album is "Birth of a Notion."

Vito Russo, author of The Celluloid Closet analyzes how gays have been portrayed in films.

Novelist and screenwriter Richard Price is inspired by comedians, singers, television, and movies. He published his first novel, "The Wanderers," when he was 24 years old. He began writing screenplays after being disappointed by the film adaptations of his first two novels. His most recent novel was 1984's "The Breaks." Since then he has been writing the screenplay for Martin Scorsese's upcoming film sequel to "The Hustler," "The Color of Money."

Documentarian and filmmaker Frederick Wiseman's films often dissect institutions. He emphasizes that his films are biased and reflect his own point of view. He joins the show to discuss his career.

EMILE DE ANTONIO is regarded as one of the most important political filmmakers of the American Left.

Pauline Kael is one of the country's most preeminent film critics. She came to the profession in her mid 40s after working in radio and owning a movie theater. She has written for New York Magazine since 1968, and her reviews have been collected in published in book since 1965. Her latest book is "State of the Art."

Playwright, actor, and screenwriter Wallace Shawn wants his theater work to be shocking and confrontational, but he is best known for the 1981 film he wrote, "My Dinner with Andre." Shawn's latest play is "Aunt Dan and Lemon."

Spalding Gray was already famous in experimental theater for his funny and erotically-charged monologues when he made his film debut in "The Killing Fields," about the American involvement in Cambodia. His experiences as a novice making the movie in Thailand inspired his new monologue "Swimming to Cambodia." The monologue contains stories of the real fighting in Cambodia.

Writer and humorist Bruce J. Friedman has written novels, plays, and screenplays. His screen credits include "Splash" and "Stir Crazy." He joins the show to discuss his career.

Film director and writer John Waters is Hollywood's "leading exponent of bad taste," and Waters describes himself as making exploitation films for the arthouse. Waters is also interested in murderers and has taught film in prison. The Baltimore Museum of Art recently held a retrospective of Waters' work, and the mayor declared the opening day "John Waters Day."