Misty Copeland has been a principal ballerina with the American Ballet Theatre since 2015. She took a break from performing due to COVID-19 and the birth of her son in spring 2022, but she hopes to be back on stage in 2023
Neither the pandemic nor age can keep legendary choreographer Twyla Tharp from her work. During the height of the COVID-19 lockdown, Tharp, now 79, choreographed several dances through through Zoom. She's the subject of a new PBS American Masters documentary.
Sarah Jessica Parker has spent much of her acting career exploring what it means to be in a relationship — and to be single. In the HBO series Sex and the City, which ran from 1998 until 2004, she played Carrie Bradshaw, a single writer chronicling her experiences with the Manhattan dating scene. Now, in the HBO comedy series, Divorce, she stars as Frances, a mother of two navigating the dissolution of her marriage.
Classical music critic Lloyd Schwartz reviews a new documentary, Ballets Russes, just out on DVD. It tells the story of ballet after the death of Sergei Diaghilev, who founded and ran the company until 1929.
Mosaic Records has released Classic Earl Hines Sessions 1928-1945. a seven-disc showcase for the jazz pianist and bandleader. Hines' right hand played lines in bright, clear octaves -- and his left hand had a mind of its own.
Ballet's history is not just about choreography and technique -- it's also a history of nationalization, the changing ways we view the body, shifting gender norms and class struggles. Historian Jennifer Homans chronicles the art form in a new cultural history, Apollo's Angels.
In Darren Aronofsky's ballet thriller, a repressed ballerina must surrender to her sexuality to master Swan Lake's leading role. Critic David Edelstein says the dramatic film is a "camp classic -- like Showgirls remade by Roman Polanski."
The Black Swan star describes what it was like to train with members of the New York City Ballet in preparation for her role as a mentally unstable ballet dancer in Darren Aronofsky's psychological thriller.
Music critic Milo miles reviews two new collections of tunes from the late Latin pioneers Tito Rodriguez and Tito Puente. The two were rivals on the bandstand of the Palladium, the epicenter of the 1950s mambo craze.
Shakespeare's tragedy — and Prokofiev's ballet — are plenty familiar, but critic Lloyd Schwartz says Mark Morris's new staging isn't: It's based on a forgotten manuscript recently discovered in Russia, and it's truer to Prokofiev's original intent.
John Waters' movie Hairspray, about a full-figured teen who bops her way to popularity (and fights for racial integration) on a TV dance show in '60s Baltimore, was a cult camp classic that became a hit Broadway musical. Now that stage musical has been re-adapted into a film — starring John Travolta, no less, in the role created by Waters' drag-queen muse Divine.
We talk with director and choreographer Adam Shankman, who directed The Wedding Planner and choreographed Boogie Nights — not to mention the legendary musical episode of Buffy, the Vampire Slayer.