Director and writer of the film version of Jane Austen's "Emma," Douglas McGrath. Already known as a playwright, screenwriter and columnist, this is his debut as a director. "Emma" is generally regarded as Austen's most accomplished and wittiest novel--a matchmaker doing all the wrong things for all the right reasons. McGrath is author of the New Republic column, "Flapjack File."
Claire Tomalin, author of the biography "Jane Austen: A Life" (Knopf). The biography addresses Austen's world, family, and works, many of which in recent years have inspired popular film versions. Tomalin is also the biographer of Mary Wollstonecraft and Nelly Ternan.
Jane's Fame, Claire Harman's book about the author of Emma and Sense and Sensibility, reveals the gap between her legacy -- modest, indifferent to fame and devoted to her characters -- and her ambition.
For most readers, the beauty of Jane Austen's style lies in her elegant syntax and punctuation. Now, an Oxford scholar has created a furor by suggesting that the credit for Austen's style should really be given to the man who edited her novels. But linguist Geoff Nunberg remains skeptical.
As the classic novel celebrates its bicentennial, Paula Byrne's The Real Jane Austen examines some of the key objects in Austen's life and how they reveal a much more cosmopolitan awareness of the world than is commonly credited to her.