Art

After leaving England, Cale rose to prominence as a storyteller in the same New York scene as Spalding Grey. He has a new book called Redthroats.

The avant-garde artist has a retrospective exhibition at the Whitney Museum in New York City. Growing up, she divided her time between the United States and Japan, before and during World War II. Her marriage to John Lennon made her a celebrity, but overshadowed her own work.

Rather than simply include more women artists into the canon, Nochlin believes art critics and historians should rethink the way artistic greatness has been constructed in such a way that has prevented women from achieving a particular model of success. Her new book about this topic is called Women, Art, and Power.

Critic-at-large Laurie Stone reviews the actor and playwright's latest performance piece, about growing up and a teenage stint in a juvenile home.

One of Ireland's most recent works is his own house, which he preserved in its present, run-down state. He is interested in how everyday materials and objects convey personal stories and the passage of time.

Michals works as both an artistic and commercial photographer. He says he doesn't believe in the reality of photography, and instead tries to capture the essence of dreams on film. Michals' new book, a collection of portraits, is called Album.

Critic-at-large Laurie Stone recently saw performance artist Michael Moschen's newest act, Moschen in Motion, which features expert and sometimes improvisatory juggling, as well as homages to abstract expressionist painters. Stone says she was awed by the end.

Erwitt got his start early, shortly after he left the Army. He's worked as a photojournalist and commercial photographer, and takes personal pictures as well. Erwitt's new book is called Personal Exposures.

The writer has also worked as a diplomat. Artistically and professionally, he has explored the cultural and political identity of his home country. His new book is about the poet Sor Juana; Paz says her life mirrors his own in several ways.

Musa Mayer's memoir explores her relationship with her father, painter Philip Guston. Mayer and Guston were close; she says she was his confident. But Mayer didn't really know who he was as a person until she interviewed family members after Gunston's death.

Critic-at-large Laurie Stone reviews the photographer's new exhibition at the Museum of Modern Art. Nixon's photos document the progression of sickness and disease -- including AIDS -- in his subjects. Stone says Nixon's moving work neither sentimentalizes nor intrudes.

Don Glen Vilet is a painter who recorded experimental, blues-inflected music under under the name Captain Beefheart. Rock historian Ed Ward says that, while Beefheart was never a commercial success, his influence can be heard in everything from pop to heavy metal.

Book critic John Leonard reviews the novelist's new book, about historical figures who live in contemporary times. Leonard says what could have been a thoughtful meditation on the role of art in society instead turns into a narrative mess.

Mark Mothersbaugh and Gerry Casale were still in art school when they founded their band DEVO, which is equally inspired by high and low culture. They join Fresh Air to talk about their music's role in the current corporate-sponsored rock culture.

The husband-and-wife rock duo -- with a boombox for a rhythm section -- joins Fresh Air for an in-studio concert. They recently found commercial success with their hit, "The Future's So Bright, I Gotta Wear Shades."

Milt Hinton isn't just an in-demand bass player -- he's also an accomplished photographer who has taken thousands of pictures of jazz musicians. He joins guest host Marty Moss-Coane to talk about growing up in the south and, later, in Chicago--where Al Capone had an unexpected impact on his youth. Hinton's collection of his photos, Bass Lines, has just been published.

Critic-at-large Laurie Stone reviews a retrospective of the late photographer's work, which focuses on movement, urban settings, and harrowing portraits of animals. The exhibition, Stone says, reveals our own voyeurism and vulnerability.

Lawrence Weschler, staff writer for The New Yorker magazine. He writes about politics and art, and his profiles are gathered in a new book, Shapinsky's Karma, Bogg's Bill and Other True Tales.

Film director Paul Morrissey. He first gained fame as the alter ego of pop artist Andy Warhol during the filming of Warhol's low-budget experimental films like "My Hustler" and "Chelsea Girls." He later directed Warhol-produced films like "Flesh" and "Trash." Morrissey's latest film is titled "Beethoven's Nephew," and is the story of disarray of the composer's private life and his ugly personality. The music is performed by The Vienna Symphony Orchestra.

Rock historian Ed Ward profiles The Velvet Underground. Sponsored by Andy Warhol, the band was a favorite of the jet-set crowd but reviled by the hippie culture that couldn't comprehend their music. The band featured Lou Reed and violist John Cale. Their best known songs include "Waiting for the Man," "Heroin" and "Sister Ray."