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Makeup Artist Tom Savini Brings the Dead to Life

Savini creates the macabre effects for George Romero's zombie films. Now he's directed his own movie, a remake of Romero's classic, Night of the Living Dead. He shares some of the secrets behind how he simulates gore on set.

24:22
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Other segments from the episode on October 22, 1990

Fresh Air with Terry Gross, October 22, 1990: Interview with Tom Savini; Commentary on Indian film music; Interview with Jamaica Kincaid; Review of the television show "WIOU."
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06:37

Motion Picture Music from India

World music critic Milo Miles samples film music from India. He says it's his first choice for when he wants to put on something light -- the weirder, the better.

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21:36

Horror's 'Shock Value' Redefined In The 1960s.

Rosemary's Baby, Night of the Living Dead and Targets all came out in 1968. Theater critic Jason Zinoman says the three films redefined Hollywood horror in the aftermath of the Vietnam War — and influenced the genre for the next several decades.

Interview
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27:29

A Horror Director Dials Back the Blood

George A. Romero's 1968 film, The Night of the Living Dead, is a classic of the horror genre. While his zombie flicks have become increasingly graphic over the years, his newest film, Monkey Shines, is more of a psychological thriller. Romero is careful to point out that no monkeys were harmed in the making of the movie.

Interview

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52:30

Daughter of Warhol star looks back on a bohemian childhood in the Chelsea Hotel

Alexandra Auder's mother, Viva, was one of Andy Warhol's muses. Growing up in Warhol's orbit meant Auder's childhood was an unusual one. For several years, Viva, Auder and Auder's younger half-sister, Gaby Hoffmann, lived in the Chelsea Hotel in Manhattan. It was was famous for having been home to Leonard Cohen, Dylan Thomas, Virgil Thomson, and Bob Dylan, among others.

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43:04

This fake 'Jury Duty' really put James Marsden's improv chops on trial

In the series Jury Duty, a solar contractor named Ronald Gladden has agreed to participate in what he believes is a documentary about the experience of being a juror--but what Ronald doesn't know is that the whole thing is fake.

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