Soul and R&B

At 19, Jim McGowan was the victim of an assault which left him with paralyzed legs. He later worked as an R&B singer in the 1950s with the group the Four Fellows, whose song "Solider Boy" was a number one hit. He late became an academic and has written a book about an Underground Railroad figure in "The Life and Letters of Thomas Garnett," as well as a history of R&B. He is also an activist for disabled persons and was the photographer for the book "Wheelchair Champions."

Jazz pianist Bob Neloms joins the show to discuss his early career as the house pianist for Motown Records. Neloms worked with artists such as The Supremes, Martha and the Vandellas, Stevie Wonder, Marvin Gaye, and Mary Wells. He can be heard on such Motown hits as "Dancing in the Streets," "You've Really Got A Hold On Me," "Baby Love," and "Heat Wave." (INTERVIEW BY DANNY MILLER)

On this edition of "Hearing Secret Harmonies," rock critic Ken Tucker will review the television special "Motown: Yesterday, Today, Forever," and share some of the music "you didn't hear on the special," including songs by Jackie Wilson and Smokey Robinson. (PARTIAL REVIEW)

Husband and wife Cecil Womack and Linda Womack are songwriters who have decided to step into the limelight with their album "Love Wars." The child of a gospel singer, Cecil Womack sung with his brothers, including Bobby, as The Valentinos. Linda and Cecil met in the studio. Their album was noted by many critics in 1983.

On this edition of Secret Harmonies, Ken Tucker looks at "City Slicker" by soul musician J. Blackfoot, "Doppelganger" by rock group Kid Creole and the Coconuts, fronted by August Darnell, and "Forget About the Danger Think of the Fun" by rockabilly group The Leroi Brothers. (PARTIAL REVIEW)

The trio of singers, who come from a family of 10 children, join Fresh Air's Danny Miller to talk about their faith, religious and musical upbringing, and admiration for soul and jazz singers of the '50s and '60s.

Michael Bennett won a Pulitzer Prize for the musical "A Chorus Line," which he conceived, choreographed, and directed. He, himself, began his career as a Broadway dancer before choreographing musicals such as "Promises, Promises," "Company," and "Follies." Bennett's latest show is "Dreamgirls."

Nelson George is a music writer who is the author of the best-selling "The Michael Jackson Story," and the black music editor for Billboard magazine. His latest book, "Where Did Our Love Go?," is a history of the black-owned company Motown Records. Motown employed a stable of writers, producers, singers, and studio musicians who created what became known as "the Motown sound." This soul sound appealed to both black and white audiences. George argues that that the company's move from Detroit to Los Angeles caused it to lose its sound.

Art and Aaron Neville are part of the New Orleans funk and rhythm and blues band The Neville Brothers. Art has been performing since 1954 when his "Mardi Gras Mambo" became a hit. The song remains a Mardi Gras standard. Aaron had a hit in 1966 with the song "Tell It Like It Is." The brothers' latest album "Neville-lization."

Music critic Peter Guralnick explore the history of soul music by looking at both the impact of individual artists and the role record companies like Motown, Atlantic and Stax played in producing their albums.

While working as a preacher at a mortuary, Solomon Burke was recruited by Atlantic Records to make a country and western album. The record was a hit, but many listeners didn't know Burke is black. He joins Fresh Air to share stories of how he later made a name in soul music.

While working as a preacher at a mortuary, Solomon Burke was recruited by Atlantic Records to make a country and western album. The record was a hit, but many listeners didn't know Burke is black. He joins Fresh Air to share stories of how he later made a name in soul music.

Whitney Houston's new album, Whitney, debuted at the top of the pop charts, in part fueled by its hit single, "I Wanna Dance with Somebody." Rock critic Ken Tucker says the songs are thinner than those on her last album, and wonders if they'll be enough to sustain her immense popularity.

Ted Hawkins busked in Venice Beach for years before recording his first album; he was in his 40s. Now 51, he has a new album called Happy Hour, which blends blues, soul and pop. While the singer is popular in England, rock critic Ken Tucker says Hawkins deserves more recognition in his home country.

Rock historian Ed Ward profiles the rise and fall of soul singer Etta James, whose heroin habit curtailed her career after a string of fantastic albums.

Jazz critic Francis Davis reviews a new greatest hits collection of the late blues singer Big Joe Turner, whose voice and presence were larger than life.

Rock historian Ed Ward remembers the black Detroit musicians who made their mark with the city's smaller record labels.

Booker T. and the M.G.'s guitarist Steve Cropper cowrote and played on countless soul music hits during the 1960s. While he focuses more on producing nowadays, his musical legacy endures. Rock historian Ed Ward tells his story.

Rock historian Ed Ward will look at Cal-Mex music - the sound from East L.A. - and the legacy of "La Bamba."

Rock historian Ed Ward will profile the evolution of Chuck Berry's best known song, "Maybelline."