Opera

Classical music critic Lloyd Schwartz pays tribute to the late mezzo-soprano Jan DeGaetani (DEE-guy-tahny). DeGaetani died last September; Lloyd reviews her last album, just released by Bridge records. It contains works by Berlioz and Mahler.

Classical music critic Lloyd Schwartz reviews a new series of early operatic recordings reissued on the Nimbus. Lloyd says Nimbus went to extraordinary lengths to re-record these vintage performances from the first half of the century, and the care shows.

Classical music critic Lloyd Schwartz reviews a new compact disc of opera recordings by Spanish mezzo-soprano Conchita Supervia (pronounced super-VEE-a). It's been released as part of the Club 99 series.

Poet ALLEN GINSBERG and composer PHILLIP GLASS. The pair have collaborated on a interpretation of Ginsberg's poem, "Hydrogen Jukebox." The work gets it's premiere April 26th at the American Music Theatre Festival in Philadelphia, and features six singers, a five piece orchestra, and a mix of songs, chants, and the spoken word.

Classical music critic Lloyd Schwartz reviews a new CD collection of songs by the late Roland Hayes. Hayes was the first major black concert singer, and paved the way for performers such as Marion Anderson. (It's issued by the Smithsonian).

Classical music critic Lloyd Schwartz reviews two new Angel recordings featuring British conductor Roger Norrington. Norrington is known for his use of original instruments. The albums feature music from the 19th century by Schubert, Mendelssohn, Weber, Wagner, and Berlioz.

Classical music critic Lloyd Schwartz reviews the operatic adaptation of Henry James' story, "The Turn of The Screw." It was composed by Benjamin Britten in 1954, and London records has just reissued a recording of Britten performing the work.

The label has reissued the complete recordings of the maestro, which include over 80 releases. Classical music critic Lloyd Schwartz reviews three boxed sets featuring works by Beethoven, Brahms, and Verdi.

Classical music critic Lloyd Schwartz reviews a new recording of "Flavio" on the Harmonia Mundi label. He says it's perhaps the best performance of the opera since Handel's own time.

Jazz critic Kevin Whitehead reviews the re-release of the exceptional Carla Bley and Paul Haines concept album. It features an eclectic mix of singers and musicians, including Linda Ronstadt, Jack Bruce, Don Cherry, and John McGlaughlin.

Classical Music critic Lloyd Schwartz reviews the Great Performances telecast of Peter Sellars' production of "The Marriage of Figaro." It airs this Friday night on PBS.

Classical music critic Lloyd Schwartz reviews a new videotape of the first time Wagner's Ring Cycle was broadcast on television, with conductor Pierre Boulez and stage director Patrice Chereau.

Baritone Sanford Sylvan. He portrayed Zhou Enlai in John Adams' "Nixon in China." He's a regular in Peter Sellars' repertory company, having played in "The Marriage of Figaro," and "Cosi Fan Tutte." He's playing the title role in Adams's "Death of Klinghoffer," which has its American premiere at the Brooklyn Academy of Music in September. He also has his first solo record, "Beloved That Pilgrimage," on which he is accompanied by pianist, David Breitman. (on the Nonesuch label).

Classical music critic Lloyd Schwartz reviews "The Death of Klinghoffer," the new opera from composer John Adams. It recently had its American premiere at the Brooklyn Academy of Music.

In honor of Thanksgiving, rock historian Ed Ward carves up some rock and roll turkeys.

Classical music critic Lloyd Schwartz reviews the new opera, "The Ghosts of Versailles ("vahr-SIGH") by composer John Corigliano ("core ee ahn no"). It premiered two weeks ago at the Metropolitan Opera in New York, the first new opera to premiere at the Met in 25 years.

Classical music critic Lloyd Schwartz reviews a new recording of Opera Finales performed by soprano Josephine Barstow. (on the Decca label).

Singer Angelina Réaux. She's gained international recognition for her interpretation of Kurt Weill music. She performed in a one-woman show, "Stranger Here Myself," a collection of Weill music, dramatically linked. (A recording of the show is on the Koch Classics International label). Réaux also performs in Opera and Concert engagements and collaborated with Leonard Bernstein in a some of his final projects: recordings of "West Side Story" and "A Quiet Place." She began her career in Broadway musicals.

Concert and interview with composer Anthony Davis and performers from his new opera, "Tania," -- Soprano Cynthia Aaronson, bass/baritone Mark Doss, and pianist Alan Johnson. Davis's opera premiered this week at the American Music Theatre Festival in Philadelphia. "Tania," is loosely based on the Patty Hearst story.

At the age of 72, Farrell has had a long career: she began in radio in the 1940s with her own show on CBS. In the fifties, she started singing opera, and has performed with every major opera company and symphony orchestra in the U.S., including five seasons with the Metropolitan Opera in New York. Starting in the sixties, she began putting out albums of jazz standards, and has just released her twelfth, called "It's Over."