Misty Copeland has been a principal ballerina with the American Ballet Theatre since 2015. She took a break from performing due to COVID-19 and the birth of her son in spring 2022, but she hopes to be back on stage in 2023
Sarah Jessica Parker has spent much of her acting career exploring what it means to be in a relationship — and to be single. In the HBO series Sex and the City, which ran from 1998 until 2004, she played Carrie Bradshaw, a single writer chronicling her experiences with the Manhattan dating scene. Now, in the HBO comedy series, Divorce, she stars as Frances, a mother of two navigating the dissolution of her marriage.
Classical music critic Lloyd Schwartz reviews a new documentary, Ballets Russes, just out on DVD. It tells the story of ballet after the death of Sergei Diaghilev, who founded and ran the company until 1929.
Ballet's history is not just about choreography and technique -- it's also a history of nationalization, the changing ways we view the body, shifting gender norms and class struggles. Historian Jennifer Homans chronicles the art form in a new cultural history, Apollo's Angels.
In Darren Aronofsky's ballet thriller, a repressed ballerina must surrender to her sexuality to master Swan Lake's leading role. Critic David Edelstein says the dramatic film is a "camp classic -- like Showgirls remade by Roman Polanski."
The Black Swan star describes what it was like to train with members of the New York City Ballet in preparation for her role as a mentally unstable ballet dancer in Darren Aronofsky's psychological thriller.
Artistic director for the Houston Ballet, Ben Stevenson. He’s been with the ballet for over 25 years, turning it into a premiere dance company. The New York Times’ dance critic said of Stevenson, (he) “is one of the most original figures in the development of regional ballet in America.” Stevenson’s own choreography for the Houston ballet include the full length works: “Swan Lake,” “Cinderella,” “Peer Gynt,” “Dracula,” and “Cleopatra.” Stevenson is a native of Britain.
Principal dancer for the Houston Ballet, and the first African-American to be a principal dancer, Lauren Anderson. She began studying at the ballet’s academy at the age of 7, and working with Stevenson at the age of 11 when he was hired by the ballet. Stevenson choreographed “Cleopatra,” for her.
Classical music critic Lloyd Schwartz reviews "Elusive Muse," the Academy Award-nominated documentary on ballet dancer Suzanne Farrell, who married choreographer George Balanchine. The documentary will be shown in an edited-for-TV version as a part of the PBS series "Dance in America" on June 25.
Classical Music critic Lloyd Schwartz reviews a new recording of a major Stravinsky score, "Les Noces and Village Wedding Songs" performed by the Pokrovsky Ensemble on the Elektra label. This recording presents the pieces in the style of folk singing, rather than the usual concert style.
Dancer and choreographer Edward Villella. Villella's new autobiography, "Prodigal Son," chronicles his rise as one of the best known male dancers and choreographers in the history of American ballet. It also looks at his often stormy working relationship with choreographer George Balanchine. (It's published by Simon and Schuster). (Interview by Marty Moss-Coane)
Farrell had a deep, complicated relationship with her choreographer, George Balanchine. She spent over twenty years with the New York City Ballet. Farrell's new memoir about her career is called is "Holding on to the Air"