Terry Gross

Film critic Stephen Schiff reviews the new Christmas movie Scrooged, which is a modern take on Charles Dickens' A Christmas Carol. Schiff says that, while the casting of Bill Murray was inspired, the film is caught between schmaltz and humbug, and ends up being nothing at all.

Film critic Stephen Schifff says that the Irish rock band's new concert film, Rattle & Hum, exaggerates U2's abilities, importance, and depth. The movie follows them during a U.S. tour; in between performances, the band visits landmarks of American music, and share their superficial insights into their significance.

Critic-at-large Laurie Stone reviews the documentary Hotel Terminus, about Nazi officer Klaus Barbie, who fled to South America after the end of World War II. Despite the dark subject material, Stone says the movie is a pleasure, and praises director Marcel Orphuls unblinking camerawork.

Stephen Schiff says that director Leonard Nimoy's adaptation of Sue Miller's novel is lifeless, but Diane Keaton's performance might justify the cost of a ticket.

Critic-at-large Laurie Stone says that, while movies tend to be male-dominated, television has had the power to give more substantial roles to women. She reviews three new sitcoms about women at home and in the workplace.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

Lawrence Joseph is lawyer and poet from Detroit whose parents are from Lebanon. Critic Stuart Klawans says Joseph's newest collection features brutal autobiography and fierce intelligence.

The director trades comedy for drama in his latest movie. Film critic Stephen Schiff says the story explores the tired, false dichotomy of thinking versus feeling; and the dialogue leaves much to be desired.

Critic-at-large Laurie Stone recently saw the Dian Fossey biopic. She praises the film's power and compassion, fueled in large part by star Sigourney Weaver's outstanding performance.

Film critic Stephen Schiff bemoans Hollywood's current preoccupation with courtroom dramas -- most, he says, aren't very good. The new Jodi Foster movie The Accused, loosely based on a high-profile gang rape trial, leans too heavily on the lurid details of the case, and not enough on developing an interesting narrative.